Lisa Otty

SELECTED TALKS & PUBLICATIONS

PROFESSIONAL

‘Greening Digital Humanities’ workshop, DH Benelux Conference, June 2022, University of Luxembourg.

Black, Suzanne, Cabrera-Lalinde, Isabela, Otty, Lisa, Edgson, Geoffrey, & Andries, Valentina. (2021). Public Engagement, Events & Exhibitions Guidance for Researchers at the University of Edinburgh. https://doi.org/10.5281/zenodo.5575572

Savadova, Sabina, Black, Suzanne, Andries, Valentina, Otty, Lisa, & Edgson, Geoffrey. (2021). Participatory, Observation & Face to Face Research Methods for Researchers at the University of Edinburgh. https://doi.org/10.5281/zenodo.5575562

Black, Suzanne, Otty, Lisa, & Edgson, Geoffrey. (2021). Archives, Collections & Access: Guidance for Researchers at the University of Edinburgh. https://doi.org/10.5281/zenodo.5575417

‘Joining up Social Science and Humanities support with Central RDM Services at University of Edinburgh.’ Digital Curation Centre Data Management Forum July 2021  http://doi.org/10.5281/zenodo.5101408 online.

‘The Centre for Data, Culture & Society’ Dealing with Data Conference, Jan. 15th 2019. Edinburgh, UK.

‘Stewardship and preservation of e-journals: what is the role of the academic library?’ NOWAL Conference, July 2015, Manchester UK.

Burnhill, Peter and Lisa Otty, Is it too late to ensure continuity of access to the scholarly record? Proceedings of the IATUL Conferences: 2015 IATUL Proceedings: Paper 6. Purdue E-Pubs, Purdue. http://docs.lib.purdue.edu/iatul/2015/ddp/

Otty, L. and Tara Thomson. Data Visualization in Research Methods for Digital Humanities: Digital Data Analysis. Eds. G. Griffin & M. Hayler. Edinburgh University Press, 2015.

‘Early Twentieth Century British Artist’s Books: Are there Any?’, Scottish National Gallery of Modern Art, Dec. 5th 2014.

Mapping the Canongate in History and Literature: A Virtual Tour. Scottish Story Telling Centre. Nov. 2nd 2014.­­

University of Newcastle, Digital Humanities Seminar Series. May 2014.

Digital HSS Day of Ideas, ‘Reading Data: Experiments in the Generative Humanities’, University of Edinburgh May 14^th 2014.

‘Exhibiting the Written Word’ (Best Practice Document) Edinburgh University / National Library of Scotland, 2011.

ACADEMIC

‘Small Press Surrealism: Collaboration, Exchange and the Limited Edition Book’ in The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange Berlin: De Gruyter, 2013.

“‘An Eccentric Homespun Avant-gardist’: Modernism, Britain and Hugh MacDiarmid”, Avant-garde Centre-Periphery, Eds. Per Backstrom and Hubert Van den Berg. Amsterdam: Rodopi, 2013.

with Andrew Roberts ‘“Dim-conceived Glories of the Brain”: Literature, Science and Ambiguity’ Culture, Theory and Critique, Taylor and Francis (online 14th Dec 2012, print forthcoming August 2013).

with Andrew Roberts, Martin Fischer and Jane Stabler. ‘Space and Pattern in Linear and Postlinear Poetry: Empirical and Theoretical Approaches’ European Journal of English Studies Special Issue: Visual Text No.17 2013.

with Andrew Roberts, Martin Fischer and Anna Katharina Schaffner. ‘Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology’, Forthcoming in dichtung-digital, special issue on Electronic Literature Communities, Part II (Summer 2012).

“I’ll be your mirror: Re-writing Resistance with Andy Warhol.”  Media and Materiality in the Neo-Avant-Garde. eds Jesper Olsson and Jonad Ingvarsson. Peter Lang, 2012.

‘Incarnations’, & Labels, Special Issue: Materiality and Metaphysics.  Duncan of Jordanstone: Dundee, October 2012

Co-editor of & Labels, Special Issue: Materiality and Metaphysics.  Duncan of Jordanstone: Dundee, October 2012.

‘Inhuman Bodies: Humanism, Automatism and Andy Warhol’s a; a novel’ in Interdisciplinary Humanities, Journal of the National Association of Humanities Education. Special Issue: Technoculture. 24.1 (Spring 2007). Lafayette: University of Louisiana.

‘Avant-Garde Aesthetics: Kitsch, Intensity and the Work of Art’ in Litteraria Pragensia 16.32 (December 2006). Prague: Charles University Press.

Review: BOHN, WILLARD. Reading Visual Poetry. Forum for Modern Language Studies 2011; doi: 10.1093/fmls/cqr050

“Aesthetic Theory.” Blackwell Encyclopaedia of Literary Theory (Vol. 2: 1966 to the Present). Ed. Robert Eagleston. Oxford: Blackwell, 2009.

ENGAGEMENT AND OUTREACH

Scotland’s Collections and the Digital Humanities: Workshop One, 14^th Feb 2014 (Identifying Shared Agendas) Workshops Two, 25^th April 2014 (Humanities Data), Workshop Three, Sept 5^th 2014 (Digital Research as Engagement)

a book is a performance: Research-led public exhibition co-curated with Sophia Hao, Visual Research Centre, Dundee Contemporary Arts, April 24^th – May 26^th 2013.

‘Modernism, Print and the Book.’ Organiser of symposium at The Scottish National Gallery of Modern Art. 10th December 2012.

Poetry Beyond Text: Research-led public exhibition at Scottish Poetry Library, June – July 2011. Co-curator with Julie Johnstone.

Making Our Connections: Collaboration, Community and the Exhibition of the Written Word, University of Edinburgh:Research Associate on KE workshop on community-building through public exhibitions and co-authoring best practice document: Exhibiting the Written Word. July 2011.