Burnhill, Peter and Lisa Otty, Is it too late to ensure continuity of access to the scholarly record? Proceedings of the IATUL Conferences: 2015 IATUL Proceedings: Paper 6. Purdue E-Pubs, Purdue.

Otty, L. and Tara Thomson. ‘Data Visualization’ in Research Methods for Digital Humanities: Digital Data Analysis. Eds. G. Griffin & M. Hayler. Edinburgh University Press, 2015.

Otty, L. ‘Stewardship and preservation of e-journals: what is the role of the academic library?’ Where is the Library? NOWAL Conference, July 2015, Manchester UK


Peer-Reviewed Journal Articles and Chapters

‘Small Press Surrealism: Collaboration, Exchange and the Limited Edition Book’ in The Aesthetics of Matter: Modernism, the Avant-Garde and Material Exchange Berlin: De Gruyter, 2013.

“‘An Eccentric Homespun Avant-gardist’: Modernism, Britain and Hugh MacDiarmid”, Avant-garde Centre-Periphery, Eds. Per Backstrom and Hubert Van den Berg. Amsterdam: Rodopi, 2013.

with Andrew Roberts ‘“Dim-conceived Glories of the Brain”: Literature, Science and Ambiguity’ Culture, Theory and Critique, Taylor and Francis (online 14th Dec 2012, print forthcoming August 2013).

with Andrew Roberts, Martin Fischer and Jane Stabler. ‘Space and Pattern in Linear and Postlinear Poetry: Empirical and Theoretical Approaches’ European Journal of English Studies Special Issue: Visual Text No.17 2013.

with Andrew Roberts, Martin Fischer and Anna Katharina Schaffner. ‘Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology’, Forthcoming in dichtung-digital, special issue on Electronic Literature Communities, Part II (Summer 2012).

“I’ll be your mirror: Re-writing Resistance with Andy Warhol.”  Media and Materiality in the Neo-Avant-Garde. eds Jesper Olsson and Jonad Ingvarsson. Peter Lang, 2012.

‘Inhuman Bodies: Humanism, Automatism and Andy Warhol’s a; a novel’ in Interdisciplinary Humanities, Journal of the National Association of Humanities Education. Special Issue: Technoculture. 24.1 (Spring 2007). Lafayette: University of Louisiana.

‘Avant-Garde Aesthetics: Kitsch, Intensity and the Work of Art’ in Litteraria Pragensia 16.32 (December 2006). Prague: Charles University Press.

‘The No Man Show: Technology and the Extension of Presence in the Work of Andy Warhol.’ Published in Esharp: Electronic Social Sciences, Humanities and Arts Review for Post-graduates 5 (Summer 2005) <; July 2005.


Art/Curation Writing

‘Incarnations’, & Labels, Special Issue: Materiality and Metaphysics.  Duncan of Jordanstone: Dundee, October 2012

Co-editor of & Labels, Special Issue: Materiality and Metaphysics.  Duncan of Jordanstone: Dundee, October 2012.

‘Exhibiting the Written Word’ (Best Practice Document) Edinburgh University / National Library of Scotland, 2011.


Review: BOHN, WILLARD. Reading Visual Poetry. Forum for Modern Language Studies 2011; doi: 10.1093/fmls/cqr050

“Aesthetic Theory.” Blackwell Encyclopaedia of Literary Theory (Vol. 2: 1966 to the Present). Ed. Robert Eagleston. Oxford: Blackwell, 2009.

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